Little Red Riding Hood and the Wolf (1987), Acrylic on canvas board 18" x 14", Linda Lee Alter.
Into the Woods We Go
LGBTQ Artists Celebrate the Woodlands
Juror: Thom Duffy
This exhibition by LGBTQ and gender fluid non-binary artists explored woods and their importance to the formation of queer identities. The exhibition featured work which explored the historical importance the woods have played in the development of queer religion, myth, sexuality, folklore, and art.
Woods have traditionally been associated with the marginal, the dark, the wild, the secretive, the sexual, and the magical, themes that have, and continue to find, resonance among queer identified communities for whom the wood/s speak in very profound ways about liminal identities and otherness.
About the Juror
Thom Duffy’s artistic career spans more than thirty years. He is a trained artist who specializes in painting watercolor and acrylics on paper and canvas. His overall work is influenced by nature and life around him. A memory of personal or current social/political events are also sources of inspiration. Subjects include the human figure, nature, still life, and cityscapes - mostly Philadelphia, which is were he resides. Thom’s professional background in art administration, management, and curating include local suburban galleries as well as galleries and fine art institutions in Philadelphia. Thom is currently curating exhibitions that rotate every two months in four Philadelphia public venues such as barber shops, tap rooms, and healing art collective. Thom's paintings have been included in several juried exhibitions in Philadelphia and surrounding suburbs, including at the Wayne Art Center, Philadelphia Sketch Club, William Way Community Center, and other area art centers. His work has received awards and honors in previously mentioned institutions.
PARTICIPATING ARTISTS:
Jane Mawson, Timothy Barton, Linda Lee Alter, Barry Steely, Janus Ourma, Kevin Broad, Eddy Rhenals, Keenan Bennett, Cat Gunn, Jess Lerner, Andrew Sedgwick Guth, and H. D. Ivey.
Art Work
Acadia II (I won't always be so young)" (2018) Acrylic and pencil on Irish linen 18.5" x 24", Andrew Guth.
![Slime Cloud [Who Taught You What To
Believe In?] (2017), Mixed media
(Cardboard, foam, wool roving, model magic, Craft slime), 20” X 30”, Jess Lerner.](https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d74162fb-5c2d-4db8-923b-f3c848c77c72/1_Lerner_SlimeCloud_detail+%281%29.jpg)
Slime Cloud [Who Taught You What To Believe In?] (2017), Mixed media (Cardboard, foam, wool roving, model magic, Craft slime), 20” X 30”, Jess Lerner.
Bachelor Bride, (2018), Wood, and Welded metal and cast bronze, 59" tall, 34" long, 18" wide, H. D. Ivey.
The Garden of Time, (2018), Watercolor, Gouache, Acrylic, and Archival Ink on Board, 11" x 14", Tristan Kravitz.

HoneyBoy, Acrylic, gouache, ink, collage, and paper on panel 18" x 24". Bobby Larson.

Cherry Blossom (2018), Photograph, 8” x 12” Pedro Zagitt.

Wings at Michfest, Radical Feminist, Network Meeting (2016), Archival pigment Print 16 x 20", Uta Fellechner.

Moon Magic # 2, Oil on canvas, framed 17" x 26", Alden Cole.

Into The Green, (2015), Acrylic on Board, 20.5” x 15”, Jordi Sabate.

QUEER 21 (Cruising Betzwood) (2018), Oil & acrylic on paper 14” x 17”, Janus Ourma.

Private Album Series, #1 (2017), Colored pencils on Bristol paper 7.5” x 10”, Eddy Rhenals.

Into the Woods, Mikel Marton.

Into the Woods, (2017), White Calligraphy Ink over Black India Ink, Strathmore 148 lb, Grey Paper, 5 3/4" x 5 1/, Corliss Cavalieri.

Untitled (Front Bank in Winter), ca. late 1960s Charcoal, 17” x 14”, David Meade Walker (1948-2012).

Brotherhood is nice for those who are afraid to sleep alone (2018), Gouache and spray paint on paper on frame panel, 13"x16.75", Cat Gunn.